Cartographic journal (the) / British cartographic society . vol 51 n° 2Mention de date : May 2014 Paru le : 01/05/2014 ISBN/ISSN/EAN : 0008-7041 |
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Code-barres | Cote | Support | Localisation | Section | Disponibilité |
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030-2014021 | RAB | Revue | Centre de documentation | En réserve L003 | Disponible |
Dépouillements
Ajouter le résultat dans votre panierThe Bulger case : A spatial story / Les Roberts in Cartographic journal (the), vol 51 n° 2 (May 2014)
[article]
Titre : The Bulger case : A spatial story Type de document : Article/Communication Auteurs : Les Roberts, Auteur Année de publication : 2014 Article en page(s) : pp 141 - 151 Note générale : Bibliographie Langues : Anglais (eng) Descripteur : [Vedettes matières IGN] Cartographie thématique
[Termes IGN] cartographie sensible
[Termes IGN] espace géographique
[Termes IGN] image vidéo
[Termes IGN] itinéraire
[Termes IGN] milieu urbain
[Termes IGN] processus cartographique
[Termes IGN] récit
[Termes IGN] réseau social
[Termes IGN] signalisation routière
[Termes IGN] signalisation touristique
[Termes IGN] vidéo numériqueRésumé : (Auteur) This paper contributes to debates in the emerging field of cinematic cartography (Caquard and Taylor, 2009) by exploring the ways in which strategies of digital cinemapping can function as tools of critical spatial practice and urban wayfinding. More specifically, the paper considers the scope for digital video technologies to reshape, contest and ‘ground’ spaces of urban representation and the ‘spatial stories’ these bring into play. Basing my analysis on the mediation of the events surrounding the abduction and murder of the 2-year-old boy James Bulger in 1993, I examine the case as a constellation of spatial narratives within which I weave my own spatial story in the form of a video mapping of the abduction route (in Bootle near Liverpool) and the responses and issues this further mediation has provoked. Methodological reflections on the map-making process are discussed alongside narratives generated by the video on YouTube. The paper argues that, by adopting practices of wayfinding, and by being critically attentive to the ways in which film and video-making practices are also spatial practices, moving image cartographies can provide insights into lived and embedded spaces of memory, and the hidden or muted spatial stories to which they play host. Numéro de notice : A2014-239 Affiliation des auteurs : non IGN Thématique : GEOMATIQUE Nature : Article nature-HAL : ArtAvecCL-RevueIntern DOI : 10.1179/1743277413Y.0000000075 En ligne : https://doi.org/10.1179/1743277413Y.0000000075 Format de la ressource électronique : URL article Permalink : https://documentation.ensg.eu/index.php?lvl=notice_display&id=33142
in Cartographic journal (the) > vol 51 n° 2 (May 2014) . - pp 141 - 151[article]Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité 030-2014021 RAB Revue Centre de documentation En réserve L003 Disponible Towards (re)constructing narratives from georeferenced photographs through visual analytics / Ralph K. Straumann in Cartographic journal (the), vol 51 n° 2 (May 2014)
[article]
Titre : Towards (re)constructing narratives from georeferenced photographs through visual analytics Type de document : Article/Communication Auteurs : Ralph K. Straumann, Auteur ; Arzu Çöltekin, Auteur ; Gennady Andrienko, Auteur Année de publication : 2014 Article en page(s) : pp 152 - 165 Note générale : Bibliographie Langues : Anglais (eng) Descripteur : [Vedettes matières IGN] Géomatique
[Termes IGN] analyse visuelle
[Termes IGN] comportement
[Termes IGN] données localisées des bénévoles
[Termes IGN] géoréférencement
[Termes IGN] image terrestre
[Termes IGN] prise de vue terrestre
[Termes IGN] site
[Termes IGN] SuisseRésumé : (Auteur) We present a study that explores methodological steps towards (re)constructing collective narratives from the photo-taking behaviour of two groups (foreign tourists and inhabitants of Switzerland) by analysing spatial and temporal patterns in user-contributed, georeferenced photographs of Zurich, Switzerland. We reason that the photographers typically capture a scene or a moment because they want to remember or share it, thus these scenes or moments are meaningful to them. Various scholars suggest that the human experience (i.e. this meaningfulness) is what separates a place from the mathematical descriptions of space. While this notion is well known in larger geographic literature, it is under-explored in cartographic research. We respond to this research gap and reconstruct static and dynamic patterns of photo-taking and -sharing behaviour to assist in capturing the implicit meaning in the studied locations. These locations may be meaningful to only a certain group of people in certain moments; therefore, studying group differences in spatial and temporal photo-taking patterns will help building a collective and comparative story about the studied place. In our study, we focus on experiences of foreign versus domestic visitors, and in the process, we examine the potential (and feasibility) of georeferenced photographs for extracting such collective narratives using qualitative and quantitative visual analytical methods. Numéro de notice : A2014-240 Affiliation des auteurs : non IGN Thématique : GEOMATIQUE/SOCIETE NUMERIQUE Nature : Article nature-HAL : ArtAvecCL-RevueIntern DOI : 10.1179/1743277414Y.0000000079 En ligne : https://doi.org/10.1179/1743277414Y.0000000079 Format de la ressource électronique : URL article Permalink : https://documentation.ensg.eu/index.php?lvl=notice_display&id=33143
in Cartographic journal (the) > vol 51 n° 2 (May 2014) . - pp 152 - 165[article]Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité 030-2014021 RAB Revue Centre de documentation En réserve L003 Disponible