Détail de l'autorité
DigitalHeritage 2013, Digital Heritage International Congress 28/10/2013 01/11/2013 Marseille France Proceedings IEEE
nom du congrès :
DigitalHeritage 2013, Digital Heritage International Congress
début du congrès :
28/10/2013
fin du congrès :
01/11/2013
ville du congrès :
Marseille
pays du congrès :
France
site des actes du congrès :
|
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Titre : UAV photogrammetry for archaeological survey: The Theaters area of Pompeii Type de document : Article/Communication Auteurs : Renato Saleri, Auteur ; Valeria Cappellini, Auteur ; Nicolas Nony, Auteur ; Livio de Luca, Auteur ; Marc Pierrot-Deseilligny , Auteur ; Emmanuel Bardiere, Auteur ; Massimiliano Campi, Auteur Editeur : New York : Institute of Electrical and Electronics Engineers IEEE Année de publication : 2013 Conférence : DigitalHeritage 2013, Digital Heritage International Congress 28/10/2013 01/11/2013 Marseille France Proceedings IEEE Note générale : bibliographie Langues : Anglais (eng) Résumé : (auteur) Aerial surveying is, in the domain of archeology and architecture, an exponential field of application and interest. Beyond the increasing flying capabilities and skills of existing UAV, the operational potentiality of the aircraft oversteps the imagination of their own creators. Initially conceived for robotic civilian and military surveying applications, recent experiments have tested autonomous flight, self decision-making and multi-agent convergent tasks. Based upon 10 years of aerial surveying experience, part of the MAP activity is concerned: firstly, unmanned flight and related developments within a specific institutional partnership and secondly, advanced tool-making workflow for architecture and urban design 3D modeling and image analysis protocols. In this paper we will describe a particular operational pipeline tested on the Theaters Area of Pompeii in Italy, starting from aerial data collection to accurate 3D processing with the help of innovative co-operative technologies. Numéro de notice : C2013-066 Affiliation des auteurs : LASTIG MATIS+Ext (2012-2019) Thématique : IMAGERIE Nature : Communication nature-HAL : ComAvecCL&ActesPubliésIntl DOI : 10.1109/DigitalHeritage.2013.6744818 Date de publication en ligne : 20/02/2014 En ligne : https://doi.org/10.1109/DigitalHeritage.2013.6744818 Format de la ressource électronique : URL article Permalink : https://documentation.ensg.eu/index.php?lvl=notice_display&id=103280 When script engravings reveal a semantic link between the conceptual and the spatial dimensions of a monument: The case of the tomb of Emperor Qianlong / Livio de Luca (2013)
Titre : When script engravings reveal a semantic link between the conceptual and the spatial dimensions of a monument: The case of the tomb of Emperor Qianlong Type de document : Article/Communication Auteurs : Livio de Luca, Auteur ; Chawee Busayarat, Auteur ; Francesca De Domenico, Auteur ; Julie Lombardo, Auteur ; Chiara Stefani, Auteur ; Marc Pierrot-Deseilligny , Auteur ; Françoise Wang, Auteur Editeur : New York : Institute of Electrical and Electronics Engineers IEEE Année de publication : 2013 Conférence : DigitalHeritage 2013, Digital Heritage International Congress 28/10/2013 01/11/2013 Marseille France Proceedings IEEE Note générale : bibliographie Langues : Anglais (eng) Descripteur : [Vedettes matières IGN] Applications photogrammétriques
[Termes IGN] information sémantique
[Termes IGN] modèle 3D du site
[Termes IGN] monument historique
[Termes IGN] tombeRésumé : (auteur) Like most Chinese imperial tombs, the tomb of Emperor Qianlong consists of a suite of four rooms forming a underground space of 372 m2. Its originality lies in the inscriptions which are engraved on the walls and vaults and exclusively in Tibetan (30,000 characters) and Lantsa (600 characters). In the project we present here, all engravings were digitized and a large part of them have been identified. Their identification has highlighted the idea which was certainly at the base of ornamental program of the Qianlong's tomb: the choice of texts and their particular arrangement was used to virtually reconstruct a "stupa" : a Buddhist funerary monument. So the study and representation of script engravings and iconography of the tomb opened the general issue of finding an original solution to explain, from a visual and semantic point of view, the relationship of two parallel dimensions. On the one hand, the description of the morphology of the tomb through the spatial structure of geometric entities in a 3D model (collection of architectural forms and spatial relationships), on the other hand, the description of knowledge related to the Tibetan funeral rituals (abstract concepts and semantic relations). The formalized and represented textual and graphics data become accessible within an analytical support (information system) allowing to explore the relationship between the conceptual and spatial dimensions of the tomb through three interactive devices interconnected: a real-time 3D scene for exploring the physical space, a dynamic graph for navigating within a network of interconnected concepts, an graphic schema displaying the theoretical position of each conceptual and spatial entity within the representation of a virtual stupa. Numéro de notice : C2013-067 Affiliation des auteurs : LASTIG MATIS+Ext (2012-2019) Thématique : IMAGERIE Nature : Communication nature-HAL : ComAvecCL&ActesPubliésIntl DOI : 10.1109/DigitalHeritage.2013.6743790 Date de publication en ligne : 20/02/2014 En ligne : https://doi.org/10.1109/DigitalHeritage.2013.6743790 Format de la ressource électronique : URL article Permalink : https://documentation.ensg.eu/index.php?lvl=notice_display&id=103279