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GIScience integrated with computer vision for the examination of old engravings and drawings / Motti Zohar in International journal of geographical information science IJGIS, vol 35 n° 9 (September 2021)  

Public [article]  inInternational journal of geographical information science IJGIS > vol 35 n° 9 (September 2021) . - pp 1703 - 1724 Titre : GIScience integrated with computer vision for the examination of old engravings and drawings Type de document : Article/Communication Auteurs : Motti Zohar, Auteur ; Ilan Shimshoni, Auteur Année de publication : 2021 Article en page(s) : pp 1703 - 1724 Note générale : bibliographie Langues : Anglais (eng) Descripteur : [Vedettes matières IGN] Géomatique [Termes IGN] carte en 3D [Termes IGN] carte profonde [Termes IGN] dessin [Termes IGN] extraction de données [Termes IGN] Israël [Termes IGN] Jérusalem [Termes IGN] patrimoine culturel [Termes IGN] paysage [Termes IGN] Ransac (algorithme) [Termes IGN] système d'information géographique [Termes IGN] vision par ordinateur Résumé : (auteur) Landscape reconstructions and deep maps are two major approaches in cultural heritage studies. In general, they require the use of historical visual sources such as maps, graphic artworks, and photographs presenting areal scenes, from which one can extract spatial information. However, photographs, the most accurate and reliable source for scenery reconstruction, are available only from the second half of the 19th century onward. Thus, for earlier periods one can rely only on old artworks. Nevertheless, the accuracy and inclusiveness of old artworks are often questionable and must be verified carefully. In this paper, we use GIScience methods with computer-vision capabilities to interrogate old engravings and drawings as well as to develop a new approach for extracting spatial information from these scenic artworks. We have inspected four old depictions of Jerusalem and Tiberias (Israel) created between the 17th and 19th centuries. Using visibility analysis and a RANSAC algorithm we identified the locations of the artists when they drew the artworks and evaluated the accuracy of their final products. Finally, we re-projected 3D map digitized features onto the drawing canvases, thus embedding features not originally drawn. These were then identified, enabling potential extraction of the spatial information they may reflect. Numéro de notice : A2021-592 Affiliation des auteurs : non IGN Thématique : GEOMATIQUE Nature : Article nature-HAL : ArtAvecCL-RevueIntern DOI : 10.1080/13658816.2021.1874957 Date de publication en ligne : 25/02/2021 En ligne : https://doi.org/10.1080/13658816.2021.1874957 Format de la ressource électronique : URL article Permalink : https://documentation.ensg.eu/index.php?lvl=notice_display&id=98213 [article]

Exemplaires(1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
079-2021091	SL	Revue	Centre de documentation	Revues en salle	Disponible

Emplaced distances / Giovanni Spissu in Cartographic journal (the), Vol 57 n° 3 (August 2020)  

Public [article]  inCartographic journal (the) > Vol 57 n° 3 (August 2020) . - pp 261 - 272 Titre : Emplaced distances Type de document : Article/Communication Auteurs : Giovanni Spissu, Auteur Année de publication : 2020 Article en page(s) : pp 261 - 272 Note générale : bibliographie Langues : Anglais (eng) Descripteur : [Vedettes matières IGN] Rédaction cartographique [Termes IGN] art [Termes IGN] Cape Town [Termes IGN] carte profonde [Termes IGN] esthétique [Termes IGN] ethnographie [Termes IGN] représentation cartographique [Termes IGN] Sardaigne [Termes IGN] territoire Résumé : (auteur) In the Sardinian artist’s Maria Lai’s works, Geografie and Geogafie Spaziali, she depicted the cosmic pathways of the Sardus Pater, using a cartographic representation of one of the island’s most popular legends. One of these works’ key features is the use of embroidery techniques learned from women of her village. She considers the Sardinian territory not only an object of representation but as an expressive medium of her work and a fertile space that generates new worlds. I argue that we can draw on Maria Lai’s work to conceive a particular form of deep mapping through which to explore the territory through its imaginative dimension. For the purpose of this article, I intend to describe how, inspired by Lai’s works, I built Emplaced Distance, a map of Cape Town through the Sardinian territory. Numéro de notice : A2020-806 Affiliation des auteurs : non IGN Thématique : GEOMATIQUE Nature : Article nature-HAL : ArtAvecCL-RevueIntern DOI : 10.1080/00087041.2019.1631006 Date de publication en ligne : 21/01/2020 En ligne : https://doi.org/10.1080/00087041.2019.1631006 Format de la ressource électronique : url article Permalink : https://documentation.ensg.eu/index.php?lvl=notice_display&id=96763 [article]

Exemplaires(1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
030-2020031	RAB	Revue	Centre de documentation	En réserve L003	Disponible

Spatial History, deep mapping and digital storytelling: archaeology's future imagined through an engagement with the Digital Humanities / Tiffany Earley-Spadoni in Journal of archaeological science, vol 84 (August 2017)  

Public [article]  inJournal of archaeological science > vol 84 (August 2017) Titre : Spatial History, deep mapping and digital storytelling: archaeology's future imagined through an engagement with the Digital Humanities Type de document : Article/Communication Auteurs : Tiffany Earley-Spadoni, Auteur Année de publication : 2017 Note générale : bibliographie Langues : Anglais (eng) Descripteur : [Termes IGN] archéologie [Termes IGN] carte profonde [Termes IGN] drone [Termes IGN] histoire [Termes IGN] système d'information géographique [Termes IGN] visualisation de données [Vedettes matières IGN] Géovisualisation Résumé : (auteur) Geospatial technologies are transforming the practice of the Digital Humanities, and these developments have direct relevance to the practice of scientifically oriented archaeology. The most recent “spatial turn” among digital humanists can be attributed to both the prevalence of tools like ArcGIS that facilitate such investigations as well as an interdisciplinary convergence upon theoretical models that conceive of socially constructed space. This article will briefly review the current state-of-the-art in the field of Spatial History as well as discuss a number of emerging trends such as deep mapping, digital storytelling and data visualization, utilizing examples from a variety of applications. Moreover, archaeologists can benefit from the substantial investments by the academy in the Digital Humanities, particularly in the United States and Canada. In sum, the article proposes that the scope of archaeological applications of geospatial technologies would be productively broadened through an increased engagement with the Digital Humanities. Numéro de notice : A2017-198 Affiliation des auteurs : non IGN Thématique : GEOMATIQUE Nature : Article DOI : 10.1016/j.jas.2017.05.003 En ligne : https://doi.org/10.1016/j.jas.2017.05.003 Format de la ressource électronique : URL article Permalink : https://documentation.ensg.eu/index.php?lvl=notice_display&id=84924 [article]